LONGER PLAYS
SHORTER PLAYS
Spellbound: Ride Into Red
Original Narrative Circus
Collaboration with Alicia Dawn and Jessika Malone
Featuring Alicia Dawn and Kristen Teffeteller in Kindling Arts Festival, Nashville
How to Be a Widow
Winner: Ellie Playwriting Award, Ivoryton Playhouse Women Playwrights Initiative
Commissioned by: The Three Leaches, Denver Dir. Sarah Crockarell
Dev: Staged Reading, Ivoryton Playhouse (dir. Susan Einhorn), Lark Playground
As the Civil War draws to a close, cholera and Gettysburg have claimed the lives of two husbands. In this wickedly funny play, two young women grapple with the freedom and power of their new widowhood. If they had the chance to have their husbands back, would they take it?
Weather We're Having
(1w, 1m) Production: 1 Minute Play Festival NYC (dir. Jordana Williams)
When Alex steps out of the office and puts up his umbrella, the ground falls away.
Beautiful Tomorrow
Presented: 5D Around the Block, dir. Ilana Becker
AROUND THE BLOCK is a 90-minute tour through some of New York’s most vibrant neighborhoods. Each piece in is based on personal experiences, interviews, research, and dreams. In collaboration with writers, composers, dancers, actors, and designers, five directors create five interconnected and original works of theatre based on the past, present and imagined future of their respective neighborhoods.
BEAUTIFUL TOMORROW is an interview and research-based play exploring the articulation and development of dreams through the lens of remembering the 1964 World's Fair.
I Didn't Know I Was the Antichrist
(2w, 4m) Prodution: #serials@theflea, dir. Lilli Stein
When Snowball the kitten shows up on Janine and Marylou Krantz’s doorstep, he has plans. Big plans. A darkly comic take on the black hole between reality and reality TV.
Burning Lines
(1w, 2m)
Workshop: I _____ YOU, Panglossian Productions
Production: Bottles on the Water, Arthur Seelen Theatre (NYC), dir. Ilana Becker
Production: Cold Basement Dramatics (Chicago), dir. Laura Barati
Once, in third grade, George whispered a sonnet to Mady. She stabbed him with a pencil. The lead has never come out. As they grow up, and George’s unrequited feelings become more intense, he struggles to communicate and come to terms with his aloneness.
Maria
(1w, 1m)
Workshop: Blink of an Eye, NYU Tisch Asia
Production: Bottles on the Water, Arthur Seelen Theatre (NYC), dir. Ashley Monroe
Rusty and Kate have a baby, and they are going to raise him perfectly. But when Kate discovers that Rusty has been secretly singing showtune lullabies to the baby, they must define what it means to be a good parent.Add News Story here
Times Square Tango
(1w, 1flex) Production: Arthur Seelen Theatre (NYC), dir. Ilana Becker
An almost silent play for actors who have movement, clowning, and/or mime. When Sara, a jaded and broken young woman, is forced to compete with a mime for her piece of sidewalk, she finds herself becoming unexpectedly drawn into an impromptu street performance that will begin to transform her.
How to Fly
(2w, 2m) FGP Sounds Good with Crashbox Theatre Co. (dir. Jordan Schulze)
Kenley is a goldfish who was adopted by birds. When his mother decides she'd rather be an ice dancer than teach him how to fly, he must learn to navigate the world on his own. He meets a cat.
A Thriller in Two Acts: A One-Act Play
(2M, 1W, 1 Flex) Singapore Short and Sweet Selection
As an egomaniacal playwright tries to write a mystery play on stage before a live audience, his characters refuse to play along.
Bad Elephant
(3w, 2m) ArtVenture Film Installation, Panglossian Productions
Based on the 1908 electrocution of Topsy the Elephant at Coney Island. A meditation on narrative, perspective, and film.