On Monday, July 29, 2019, The New York Innovative Theatre Awards, announced the 2019 nominees for the annual Off-Off-Broadway awards. The It Awards have celebrated the vibrant and creative theatre community for the past 15 years.
The Bay Area Playwrights Festival, now in its 42nd year, welcomes a new cohort of fiercely talented and insightful playwrights who present challenging and provocative developing new work this summer. Save the date for two transformative weekends of readings, speakers, panels and a celebration of the creative fire.
Playwright Tori Keenan-Zelt's emergence as a force in contemporary theater seems assured with her newest play, Truth/Dare, an incisive, on-target treatment of the pitfalls of adolescence and the frailty of relationships during a time in which everything seems in a constant state of flux...
Woven Theatre Company kicks off its third season with Tori Keenan-Zelt’s “Truth/Dare.” Exploring themes of friendship, faith and transformation, the play centers on four close-knit friends in the late ’90s, who gather together for one last sleepover before they start high school. But a mysterious tragedy leaves them struggling with “what happened, what has been lost, and who they are now.”
Whoever first said high school represents the best years of your life must have been in a coma during their entire adolescence. Or they were perhaps one of those assholes who made things terrible for the rest of us. Or, most likely, with time comes the ability to compartmentalize and rationalize the bitter traumas of young adulthood.
Playwright Tori Keenan-Zelt is intimately familiar with this emotional space, and her unsparing play Truth/Darepulsates with restless, hormonal volatility.
Since 2010, the Ingram New Works Festival has brought four extraordinary playwrights from across the country to Nashville each year to share their new plays with local audiences. All of the plays have been developed for several months with local actors, directors, and artists as part of the Ingram New Works Lab, just one of the facets of Nashville Repertory Theatre’s Ingram New Works Project.
Panglossian's Latest Tackles Prejudice with Dark Humor
Aug 16, 2017
The play... tackles the notion of prejudice in a unique way. Sylvia expects a grand adventure out of Egypt, almost as if the country's people owe it to her. What she finds is quite different.
"It also parallels what one person from one culture expects from another one and how we just assume that our needs are going to be met," Whitacre said. "I think it helps show us how to question our prejudices."
"There's an element of we're not quite sure to react to it," Whitacre said. "It helps us to question 'should.'"
Playwright Tori Keenan-Zelt takes over BWW_Nashville's Twitter account today as she goes on a Playwright's Adventure in Music City, including the first rehearsal for Actors' Bridge's upcoming workshop production of her new play Seph...
An amazing thing about living in theatre is seeing relationships grow along with the art. We take turns as one another's teachers, collaborators, inspirations, conspirators, clowns, and friends. EST has made a home for all of this, and I'm very happy to be spending time there with women whose work I love and who heard in my first, tentative lines the things I could eventually sing.
LOS ANGELES: The Kilroys have released the third annual edition of “The List,” which features 32 industry-recommended new plays by female and trans playwrights. The L.A.-based cohort of playwrights and producers is committed to working toward gender parity for playwrights in the American theatre. According to the Count, an ongoing study funded by the Lilly Awards and the Dramatists Guild released in 2015, just 22 percent of productions in regional theatres over the three years prior were written by women...
In 1775, a young apprentice boy dreams of a better life while working in a Philadelphia print shop. A Mexican-American migrant girl in 1960's California struggles to harvest garlic all day and keep up with her studies. These and other working children help illuminate the evolution of child labor in America from colonial times to today.
Two nationally recognized playwrights were in Las Cruces in late March and early April, as readings of their plays were presented on the stage of the Mark and Stephanie Medoff stage at the ASNMSU Center for the Arts.
Good Monsters is a play about Frank, who shot Safira in a Walmart parking lot. Frank is a police officer. He is white. He is a veteran. He is trusted with protecting people. Safira was 16. She was Kuwaiti. She was not armed. She had stolen a pair of jeans. She was running. She was shot. And she died. And now, Safira haunts Frank...
Doing a little research for my new play, I went to NYComicCon to try cosplay for myself. Jane Austen is my hero, so I made her super! I met some fascinating women, who are profiled in this piece by Refinery29. Check 'em out!
"As we gear up for our annual Ingram New Works Festival (happening May 6-16, don’t miss it!), we want to introduce you to our three 2014-15 Lab Playwrights: Bianca Sams, Gabrielle Sinclair and Tori Keenan-Zelt. Since October, our lab playwrights have gathered here in Nashville each month with our Resident Playwright Nate Eppler to create, critique, read and write… and rewrite. Mainly to rewrite..."
"Mission to (dit)Mars, a theatre arts collective serving Queens artists, is excited to announce the selection of nine new members to The Propulsion Lab, a Queens’ writers group serving emerging playwrights from the borough..."
"...there are loftier ambitions at play here than just an English sit-com... Keenan-Zelt digs at the motivations behind the period “sillies” we’re used to seeing... and questions their existence. Although we can’t help but enjoy the “imposing parasols” and cries of “Lepers, Mamma!” (real, fantastic quotes), as we travel further down... we keep looking for the source of the trouble."
THE LIST includes the results of the first annual industry survey of excellent new plays by female-identified playwrights. It is a tool for producers committed to ending the systemic underrepresentation of female voices* in the American theater...